How it’s
looking.
Every image here is a real frame of the film. The model is the one your team picked in Paris, so that’s settled. Mostly we want your eye on the dress, then the places she walks through, and the voice at the start. None of it is locked.
The dress.
Sheer sage green over cream, bare feet, and a train that spreads out behind her across the stone. Does that read QERAT to you?
Where she walks.
A cloister with turquoise domes and water on the floor, a long run of pale arches, one dark room with a shaft of light coming straight down, and grey seamless for the jewellery at the end. Say if one of them doesn’t belong.
The shape.
Read it top to bottom. Does the story hold the way you expect it to? No need to look at the order of individual shots, that moves on its own once music goes under it.
The voice.
Your call · 5 linesThis is new, you have not seen it yet. It runs over the first twenty seconds, and the fable takes over on the last line. Of everything here, this is the one we need a real yes or no on.
The shots.
22 shotsTell us what you think.
Write it or say it, whichever is quicker. It saves as you type, and nothing reaches us until you press send.
WhatsApp works too if that is quicker for you. Even a flat “the green isn’t it” is useful.